tag:blogger.com,1999:blog-24341801077840091662024-02-20T09:14:58.585+01:00 manolo oyonarteManolo Oyonartehttp://www.blogger.com/profile/10594127001948256330noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-2434180107784009166.post-53473399616640496352010-09-22T23:41:00.005+02:002017-03-09T23:30:47.826+01:00ACTUALIDAD<div style="text-align: center;">
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i><br /></i></span><span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: medium;"><span style="font-size: large;">Conferencia: </span></span><br />
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><i><span style="font-size: large;">LA OBJETIVIDAD DE LA OBRA DE ARTE</span></i></span><br />
<span style="color: #cccccc; font-family: arial, helvetica, sans-serif; font-size: large;"><i>Manolo Oyonarte</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i><br /></i></span><span style="color: #cccccc; font-family: arial, helvetica, sans-serif; font-size: medium;"><a href="https://www.facebook.com/1429437989/videos/10208986515886654/">ver aquí</a></span><br />
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif;">el 8 de marzo en Aspa Contemporary. Madrid</span><br />
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i>DESDE LO INEXISTENTE</i></span><br />
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: medium;"><i>del 16 de febrero al 16 de abril de 2017</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: medium;"><i>Aspa contemporary. Madrid</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i><br /></i></span>
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<span style="color: #999999; font-size: x-small;"><span style="font-family: "calibri";">Hace mucho el escultor </span><span style="font-family: "calibri";">Oteiza</span><span style="font-family: "calibri";"> en su tratado de estética </span><span style="font-family: "calibri"; font-style: italic;">Quosque</span><span style="font-family: "calibri"; font-style: italic;"> </span><span style="font-family: "calibri"; font-style: italic;">Tamdem</span><span style="font-family: "calibri"; font-style: italic;"> </span><span style="font-family: "calibri";">consideraba que concebir una obra
de arte consiste en dar una solución existencial a lo inexplicable. </span></span></div>
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<span style="color: #999999; font-size: x-small;"><span style="font-family: "calibri";">Hace muy poco el poeta Andrés
García Cerdán escribía en una revista especializada: </span><span style="font-family: "calibri"; font-style: italic;">Escribimos
lo que no sabemos, lo que desconocemos, su peligro y su bondad. Así creamos:
desde la inexistencia, desde la ausencia del lenguaje, desde la inexperiencia.
Desde el no existir y el no saber, el lenguaje crea, inaugura el mundo.</span><span style="font-family: "calibri";"> </span></span></div>
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<span style="color: #999999; font-size: x-small;"><span style="font-family: "calibri";">Hay un puente en el tiempo
edificado en la necesidad de crear desde la </span><span style="font-family: "calibri";">aculturalidad</span><span style="font-family: "calibri";">, que une ambas concepciones del
arte. Lo </span><span style="font-family: "calibri"; font-style: italic;">inexplicable</span><span style="font-family: "calibri";"> de </span><span style="font-family: "calibri";">Oteiza</span><span style="font-family: "calibri";"> se mueve en el ámbito de lo
desconocido, más aún de lo </span><span style="font-family: "calibri"; font-style: italic;">inexistente</span><span style="font-family: "calibri";"> de Cerdán, fuera de los dominios
de lo que se puede pensar o sentir.</span></span></div>
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<span style="color: #999999; font-size: x-small;"><span style="font-family: "calibri";">Esta exposición que presento en
Aspa </span><span style="font-family: "calibri";">Contemporary</span><span style="font-family: "calibri";"> pienso que es, de todas las que he
realizado, en la que he conseguido un compromiso mayor con el arte entendido
como forma de conocimiento. Las obras exhibidas no se nutren de una experiencia
previa reconocible de mi vida y no
pretendo que su función sea transmitir una idea, un sentimiento, una
información o una experiencia, solo son eslabones de una cadena de conocimiento
del mundo y de mi mismo. </span></span></div>
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<span style="font-family: "calibri";"><span style="color: #999999; font-size: x-small;">En las obras expuestas hay una
cierta entidad que les hace parecerse nada más que a sí mismas. Se han
convertido para mí en elementos de conocimiento del mundo, son el espejo donde miro al mundo y me miro a
mí. </span></span></div>
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<span style="font-family: "calibri";"><span style="color: #999999; font-size: x-small;">No describen mi experiencia del
mundo, ni la experiencia de nadie, son un mundo propio, un nuevo borde de lo
real, un mundo nuevo. Mundos nuevos que salen del existente desde de la
inexistencia… </span></span></div>
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<span style="color: #999999; font-size: x-small;"><span style="font-family: "calibri";">Manolo
</span><span style="font-family: "calibri";">Oyonarte</span></span></div>
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<span style="font-family: "calibri";"><span style="color: #999999; font-size: x-small;">Febrero
de 2017</span></span></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i>MUNDEAR.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i> Conclusión plástica de una tesis doctoral</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i><br /></i></span>
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: medium;"><i>5 al 18 de mayo de 2016</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: medium;"><i>Sala de exposiciones de la facultad de Bellas Artes </i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: medium;"><i>de la Universidad Complutense de Madrid</i></span><br />
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<span style="color: #cccccc;">Heidegger habla de descubrir la
intención originaria de la vida vivida, que hay debajo de la contraposición
artificial sujeto-objeto: <i>El aferramiento
a lo teórico, profundamente arraigado, es un gran obstáculo para ver el ámbito
de la vivencia del mundo circundante</i>.<a href="file:///F:/mundear/mundear.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "calibri" , sans-serif; font-size: 11.0pt; line-height: 115%;">[1]</span></span><!--[endif]--></span></a><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="color: #cccccc;">Hay una infección teórica
progresiva del mundo que despoja de vida (cosifica) desde su actitud teorética.
Con la cosificación lo significativo de la vivencia se des-significa. Del
objeto solo queda un resto (el fenómeno kantiano) que es lo que representa el
intelecto del individuo.<o:p></o:p></span></div>
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<span style="color: #cccccc;">Pero el artista desde la vivencia
originaria que realiza del objeto, congrega el mundo espacial y temporal que le
rodea, el objeto <i>mundea</i>. No se puede
plantear una situación del objeto despojado del mundo que le contiene.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="color: #cccccc;">En esta exposición conclusiva de
la Tesis que presento en BBAA: <i>El
concepto de objetividad de la obra de arte. El objetivismo bipolar de Jorge
Oteiza, </i>presento 18 obras que quieren representar la vivencia que he
realizado del <i>mundear</i> de las cosas, que<i> mundean </i>ahora<i> </i>en ellas.<o:p></o:p></span></div>
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<span style="color: #cccccc;">Manolo Oyonarte. Abril. 2016.<o:p></o:p></span></div>
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<span style="color: #cccccc;"><a href="file:///F:/mundear/mundear.docx#_ftnref1" name="_ftn1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "calibri" , sans-serif; font-size: 10.0pt; line-height: 115%;">[1]</span></span><!--[endif]--></span></a> <span style="font-size: x-small;">Heidegger
en<span style="font-family: "arial" , sans-serif;"> </span>Safranski, R. (2007). <i>Un maestro de Alemania. Martin Heidegger y su tiempo. </i>Barcelona:
Tusquets. (p. 88).</span></span><o:p></o:p></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i><br /></i></span><span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b>___________________________________</b></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b><br /></b></span>
<b style="color: #cccccc; font-family: arial, helvetica, sans-serif; font-size: x-large;">2013 a 2016 tiempo de investigación y realización de la tesis doctoral:</b><br />
<br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i>El concepto de objetividad de la obra de arte. El objetivismo bipolar de Jorge Oteiza</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Facultad de Bellas Artes. </span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Universidad Complutense de Madrid</span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b>_____________________________________</b></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span>
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span><span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i>CONSEQUENTIAL INTUITIONS</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i><br /></i></span>
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i>galería Espiral, Cantabria</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif;"><i>diciembre 2014/enero 2015</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif;"><i><br /></i></span>
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Considero tres las formas que tiene el hombre de enfrentarse a la experiencia estética: la idealista, la emocional y la ontológica.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>En esencia en la idealista el artista pretende comunicar una idea al espectador, y el espectador debe interpretarla correctamente. El idealismo se ha desarrollado en las corrientes más conceptuales de los periodos racionalistas: la Ilustración y la posmodernidad.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>En la emocional el artista pretende comunicar emociones, sensaciones, estados de ánimo…, con la pretensión de conmover emocionalmente al espectador. Se ha desarrollado en las corrientes expresionistas de los diferentes periodos artísticos.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>En la ontológica el artista no pretende comunicar nada al espectador. El objeto es el protagonista de la experiencia estética, donde el artista actúa meramente como instrumento, transmite o manifiesta aquello que le llega desde las profundidades de la psiquis, en un proceso que no constituye una experiencia individual sino una experiencia común.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i><br /></i></span>
<br />
<div style="text-align: right;">
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Fragmento de El concepto de objetividad en la obra de arte</i></span></div>
<div style="text-align: right;">
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Manolo Oyonarte, Madrid 2013</i></span></div>
<div style="text-align: right;">
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i><br /></i></span></div>
<div style="text-align: right;">
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i><br /></i></span></div>
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>A estas alturas de la película ya no me engaño sobre la naturaleza del arte.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>La posibilidad de que surja no es tan dependiente del talento, del trabajo, o de la preparación como del coraje con que se afronte el proceso estético. Coraje para crear con la mayor dosis de libertad, alejándome de planteamientos racionales que me puedan neutralizar la intuición.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>No pretendo comunicar una idea al espectador, ni tampoco emocionarle, actúo meramente como un instrumento que transmite lo que le llega desde las profundidades de la psiquis.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Las obras de esta muestra han surgido sin ningún planteamiento previo. Son resultado natural, casi casual, pero del todo inevitable del respeto a su propia coherencia interna.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Presento en el ámbito de Espiral una selección de obras realizadas en el año 2014, que solo quieren ser espejos de mi ser último, y que pretenden reflejar el ser último del espectador.</i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i></i></span><br />
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Manolo Oyonarte. Diciembre 2014</i></span></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif;"><i><br /></i></span></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><i>LOS ARTISTAS DE AL MARGE</i></span><br />
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<span style="font-size: large;"><span style="font-family: "calibri";">Alicia </span><span style="font-family: "calibri";">Ripoll</span><span style="font-family: "calibri";"> / Anna </span><span style="font-family: "calibri";">Verrijt</span><span style="font-family: "calibri";"> / Aurora Valero / </span><span style="font-family: "calibri";">Calduch</span><span style="font-family: "calibri";">
/ Castejón / </span><span style="font-family: "calibri";">Castrortega</span><span style="font-family: "calibri";"> / </span><span style="font-family: "calibri";">Evarist</span><span style="font-family: "calibri";"> Navarro / </span><span style="font-family: "calibri";">Ginestar</span><span style="font-family: "calibri";"> / </span><span style="font-family: "calibri";">Hetty</span><span style="font-family: "calibri";"> van der Linden / Hugo </span><span style="font-family: "calibri";">Wirz</span><span style="font-family: "calibri";">
/ López Davis / Lucía Zalbidea / Manolo </span><span style="font-family: "calibri";">Messía</span><span style="font-family: "calibri";"> / Manolo Oyonarte / María Luisa Pérez / </span><span style="font-family: "calibri";">Mirjana</span><span style="font-family: "calibri";"> </span><span style="font-family: "calibri";">Lucic</span><span style="font-family: "calibri";"> / Toni </span><span style="font-family: "calibri";">Santacreu</span><span style="font-family: "calibri";"> / </span><span style="font-family: "calibri";">Ulrike</span><span style="font-family: "calibri";"> </span><span style="font-family: "calibri";">Weiss</span><span style="font-family: "calibri";"> / Vicente Colom y
Víctor Alba.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "calibri";">en Al Marge.espai d'art del 23 de marzo al 19 de abril de 2013</span></span></div>
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<span style="font-size: large;"><span style="font-family: "calibri";"><a href="http://www.slideshare.net/almargeespaidart/al-margelos-artistas-de-la-galera" style="color: #cccccc;">dossier (pinchar aquí) </a><span style="color: #cccccc;"></span></span></span></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">ART MADRID 2013 / </span><span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">proyecto <i>NOBO </i></span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">dentro de ONE PROJECT, comisariado por Javier Rubio Nomblot, <i></i></span><span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">con la galería Al Marge, </span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"> y también en el stand de la galería Espiral</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgxKKvbwC5XVXDufnLclMg_MponCCExbNG4QYlVWPGmMo_je8eS3r_17EhlJjq75Cw-5gbkRXHRtD_OUuO1i1Cl8WQVE0n_1UZEuZJ5t2OJnLDAa3KDAmhy38v-l9tlz45SaOQCoV92GhH/s1600/Diapositiva1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgxKKvbwC5XVXDufnLclMg_MponCCExbNG4QYlVWPGmMo_je8eS3r_17EhlJjq75Cw-5gbkRXHRtD_OUuO1i1Cl8WQVE0n_1UZEuZJ5t2OJnLDAa3KDAmhy38v-l9tlz45SaOQCoV92GhH/s640/Diapositiva1.JPG" width="640" /></a></div>
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">dossier completo en:</span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"> <span style="font-size: x-small;"><a href="http://www.slideshare.net/almargeespaidart/al-marge-manolo-oyonarteproyecto-nobo-one-project-art-madrid-2013">http://www.slideshare.net/almargeespaidart/al-marge-manolo-oyonarteproyecto-nobo-one-project-art-madrid-2013</a></span></span><br />
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Tertulia:</span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">"Arte contemporáneo. Pura mercancía elitista </span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">o una nueva mirada al mundo" </span><br />
<span style="color: #cccccc;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">con el filósofo y escritor Félix de Azúa, el gerente de Ivorypress Antonio Sanz y el fotógrafo Dionisio Fernández, </span></span></span><br />
<span style="color: #cccccc;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">moderados por Ramiro Ribeiro de la tertulia <i>Filosofar en libertad"</i> </span></span></span><br />
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">En Madrid, el 27 de enero<i> </i>de 2013 en el café Libertad 8</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6VRr7RKq5B_H7xfL6AYaiSv1fXC8foP26Xs5OSudfzLmRtl5e3BGihHPPOEsQuscEfGV5pZkiq9TxpcFsl4XtfcRtKCI-CNsSbc0DCoKgnY-asgHmngd4AhmtRHS1kCSKrFFNMu74k81V/s1600/IMG_9470...jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6VRr7RKq5B_H7xfL6AYaiSv1fXC8foP26Xs5OSudfzLmRtl5e3BGihHPPOEsQuscEfGV5pZkiq9TxpcFsl4XtfcRtKCI-CNsSbc0DCoKgnY-asgHmngd4AhmtRHS1kCSKrFFNMu74k81V/s400/IMG_9470...jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif;">Félix de Azúa y Manolo Oyonarte</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipHE7m0MUE7eh1uYA0QMto-3eIdIAcif9WzohAj-rAWFRfWtZjD1gyUZWnZVkT9bkvxFajuuGjxpmslLQ6BKfivH0i5Xmzi4vMY7i2mMK0LYMcA8EiyaNzM254qRchN7-wmAi8goQzlz7X/s1600/IMG_9420.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipHE7m0MUE7eh1uYA0QMto-3eIdIAcif9WzohAj-rAWFRfWtZjD1gyUZWnZVkT9bkvxFajuuGjxpmslLQ6BKfivH0i5Xmzi4vMY7i2mMK0LYMcA8EiyaNzM254qRchN7-wmAi8goQzlz7X/s640/IMG_9420.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif;">Ramiro Ribeiro, Dionisio González, Félix de Azúa y Manolo Oyonarte</span></td></tr>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">HOMENAJE A MIGUEL BARNÉS</span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Exposición de Manolo Oyonarte con Pedro Castrortega y José Luis Serzo en Al Marge. espai d'art</span><br />
<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"> del 3 al 16 de agosto de 2012 </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSSGb8BPliJ3z8nHvxlhRpIJpLNcL-EWlCrR81yjYQ4pXyDQpWOvL1M1XxB2HbEKnrRV6R0vqsFWMIM7e8txOQnCpduFCgLcoqWgFsNAlJEfJW9rwgN1pV0dTV2hO3YlGyD-w3g3hrRBld/s1600/IMG_6389.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSSGb8BPliJ3z8nHvxlhRpIJpLNcL-EWlCrR81yjYQ4pXyDQpWOvL1M1XxB2HbEKnrRV6R0vqsFWMIM7e8txOQnCpduFCgLcoqWgFsNAlJEfJW9rwgN1pV0dTV2hO3YlGyD-w3g3hrRBld/s400/IMG_6389.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="font-family: Arial,Helvetica,sans-serif; text-align: center;">Manolo Oyonarte se dirige a los presentes en presencia de Silvia Román, viuda de Miguel Barnés, José Luis Serzo, Pedro Castrortega, Román de la Calle, Vicente Colom...</td><td class="tr-caption" style="font-family: Arial,Helvetica,sans-serif; text-align: center;"></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">dossier en: <span style="font-size: x-small;"><a href="http://www.slideshare.net/almargeespaidart/al-marge-castrortega-homenaje-a-miguel-barns">http://www.slideshare.net/almargeespaidart/al-marge-castrortega-homenaje-a-miguel-barns</a></span></span><br />
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">AL MARGE EN MISTER PINK </span></div>
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<span style="color: #cccccc; font-family: "arial"; font-size: large;">Exposición de MANOLO OYONARTE, MARÍA LUISA PÉREZ Y LUCÍA ZALBIDEA en la galería Mister Pink de Valencia</span></div>
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<span style="color: #cccccc; font-family: "arial"; font-size: large;">del 25 de mayo al 15 de junio de 2012</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpMMuAb1gW6hTSvLXWyunNx5D8esrYH8o3RLe78nPr4h9SSHFDXnI_fELYWEMsa3Z4jgaT01cXL39maO0OK3mpMaE_GQ3KjV0GwermpR3Tg-Ke4LMth1LB1GusRHrIdRUuBkjbTlenLHI9/s1600/clip_image001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="433" qba="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpMMuAb1gW6hTSvLXWyunNx5D8esrYH8o3RLe78nPr4h9SSHFDXnI_fELYWEMsa3Z4jgaT01cXL39maO0OK3mpMaE_GQ3KjV0GwermpR3Tg-Ke4LMth1LB1GusRHrIdRUuBkjbTlenLHI9/s640/clip_image001.jpg" width="640" /></a></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif;">Esta exposición se enmarca en el objetivo de Al Marge de establecer un circuito internacional de intercambios entre espacios artísticos, en esta caso con la galería Mister Pink de Valencia</span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqUGpyPALtZvF-GQUVTAcaJAebPVA8KDj_asyRccpU-KYec_WhtPjN5J4L6IGX_xJnf-9a1lA85NQWd7cgI9KXHK-It0qj6HkI_TOVhng4WfvLmS3EGSZrX9HArJKhsCrU3GYrbJP45A9u/s1600/manolo+oyonarte.+water+project+2.+oil+canvas+139x97.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" qba="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqUGpyPALtZvF-GQUVTAcaJAebPVA8KDj_asyRccpU-KYec_WhtPjN5J4L6IGX_xJnf-9a1lA85NQWd7cgI9KXHK-It0qj6HkI_TOVhng4WfvLmS3EGSZrX9HArJKhsCrU3GYrbJP45A9u/s640/manolo+oyonarte.+water+project+2.+oil+canvas+139x97.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><i>Water project 2.</i> oil canvas. 139x97</span></td></tr>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">DE 2 EN 2</span></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"> Exposición en Al Marge.espai d'art, Xábia</span></div>
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<span style="color: #cccccc; font-family: "arial"; font-size: large;">marzo / abril 2012</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNHTePDj9UcXzB-q7qxoziRDE4tJIUoicHNQXJeSr8_G5FZ4cffTyM_blfMgGFFu5-BYiP_waMFBrPT3YsqcPj73a650yamDWqTzwZqCUuyoMh8PKsk17r-w7rz45qcCd4nqPOCnC8eR36/s1600/Diapositiva1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" dea="true" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNHTePDj9UcXzB-q7qxoziRDE4tJIUoicHNQXJeSr8_G5FZ4cffTyM_blfMgGFFu5-BYiP_waMFBrPT3YsqcPj73a650yamDWqTzwZqCUuyoMh8PKsk17r-w7rz45qcCd4nqPOCnC8eR36/s640/Diapositiva1.JPG" width="480" /></a></div>
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<span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><a href="http://www.slideshare.net/almargeespaidart/al-marge-de-2-en-2-2012">DOSSIER (pinchar aquí) </a></span></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">ART MADRID 2012. </span></div>
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<span style="color: #cccccc; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Participación con la galería Espiral. febrero 2012</span></div>
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<span style="color: #cccccc; font-family: "arial"; font-size: small;"><a href="http://www.slideshare.net/almargeespaidart/anolo-oyonarte-en-artmadrid-2012">DOSSIER (pinchar aquí)</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbXpYUFRzg6k38qMm3EWv-jlqGuC5owagI2wOi9w39_ADSZrE-VMgkXJcUwhTjcX3y1xhzlKF0yH7hdri6J1QKs_d0lh4ys9nrlzTDXHcETT2fofB1Qs_E4cHq_DBemnO2MPet4aAD-s5A/s1600/artmadrid+7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="264" lda="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbXpYUFRzg6k38qMm3EWv-jlqGuC5owagI2wOi9w39_ADSZrE-VMgkXJcUwhTjcX3y1xhzlKF0yH7hdri6J1QKs_d0lh4ys9nrlzTDXHcETT2fofB1Qs_E4cHq_DBemnO2MPet4aAD-s5A/s640/artmadrid+7.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlTWNBrZS2Wc4QkDk2LKzJ8ZNOo7GgfOTbIdQVoeJQmOJgliRqdAjHJspm95xrFdkk6KJexxH2c1AlXQxZiBVQ51gORCwpV2OqofdkPsFO0GpIKqBBjbXVFtFSkdnNMYoF4CinrerZq68b/s1600/artmadrid+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="440" lda="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlTWNBrZS2Wc4QkDk2LKzJ8ZNOo7GgfOTbIdQVoeJQmOJgliRqdAjHJspm95xrFdkk6KJexxH2c1AlXQxZiBVQ51gORCwpV2OqofdkPsFO0GpIKqBBjbXVFtFSkdnNMYoF4CinrerZq68b/s640/artmadrid+1.jpg" width="640" /></a></div>
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<br />Manolo Oyonartehttp://www.blogger.com/profile/10594127001948256330noreply@blogger.com0